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Chuck Campbell, pedal steel guitar Darick Campbell, lap steel guitar Phil Campbell, guitar Malcomlm Kirby, bass John Medeski, organ Carlton Campbell, drums. “A Change Is Gonna Come” (from Can You Feel It?, Ropeadope). I wanted to be like Barney Kessel and Kenny Burrell and Barry Galbraith. He made a good living as a studio musician and at that time in the middle to late 50s, that’s all I wanted to do, be a studio musician. That’s a composition.Īfter: Oh, I love Barry Galbraith. That really shaped my ballad playing, it’s still with me today. His entire solo on “Autumn In New York,” I carried that with me forever. I showed him some of the tunes and solos I had learned off his records, he was flattered and pleased. I talked to him and I related to him a lot of things I had read about his life on the back of his albums and he said, “Oh, those are just fables.” Later on we hung out and did a bit of jamming. After he came back I went to see him in a small club in New York and George Benson was there that same night. but he was off the scene during the revolution, the revolution that I helped start in the middle 1960s. Tal Farlow was one of the greatest musicians in the world. I cut my teeth on that guy His tone, his time feeling, his ideas. He and Jimmy Raney had no text book, they just lived in New York and tried to play like Bird. I sat with his records when I was 16 years old. 1, Rhino) Farlow, Barry Galbraith, guitars Oscar Pettiford, bass Joe Morello, drums. “Gibson Boy” (from Legends of Guitar Jazz Vol. His 2007 autobiography Improvisation: My Life In Music has been published by Hal Leonard, along with a retrospective print folio of Coryell compositions. In between selections, we talked about his 40-year recording career, lessons learned from working with Gary Burton and Jimmy Smith, his role as a jazz-rock fusion pioneer, his current power trio with Paul Wertico and Mark Egan, the shrinking jazz record industry, global politics and a recent fascination with Abraham Lincoln. You'll also want to prepare yourself for playing the blues in other keys by expanding your arsenal of seventh chords.Unlike some wary musicians, guitarist Larry Coryell seemed to really enjoy the Before & After experience. Study the blues greats for inspiration and guidance, then work at mixing up your own playing so that it doesn't sound stale. You can try out straight 8ths, shuffles, and even 16th note patterns to vary your rhythms and make your blues progression sound more interesting. Though you might have employed a simple quarter note strumming pattern in learning the above blues progression, that's not the only way to go about it. Once you've practiced 12-bar blues progression and feel comfortable playing those seventh chords, you can get to work deepening your blues abilities by trying out different ways to play your chords. The above isn't the only way the 12-bar blues can work, but it is fairly representative of what you can expect from a blues progression and a good way to get started.Īnd with that, you've learned the chords for a 12-bar blues in the key of C Major! Try these out with the sample progression we provided above, and listen to the differences in using the regular major chords and the seventh chords. Here's an example of how a common blues progression goes:Īt this point the 12-bar pattern would repeat, continuing the song. Blues progressions are almost exclusively played in 4/4 time and dominated by the root (I Chord), with the IV and V chords providing that extra bit of flavor to keep things interesting. The standard 12-bar blues is a I-IV-V chord progression most typically divided into three four-bar segments. By lesson's end, you should be ready to lay down some soulful blues rhythms and start creating your own blues style in earnest.
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With that in mind, we're going to dive into the world of blues chords and the basic 12-bar blues.
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The genre is deeply tied to the instrument, and nearly every guitarist worth their salt has at least fantasized about jamming out à la B.B. The 10 Best Blues Guitar Chords (Chord Progressions, 12 Bar Blues.)ġ2 Bar Blues Blues Guitar Chords Popular Chordsįew things scream "guitar" as loud as playing the blues.